317 - The Aftermath

A bit of a sequel to yesterdays post though not severe enough.

To those of you that play these and hate seven flats, you can ignore them and remove all flats from the chords, adding sharps to chords that don’t have a flat in the suffix, and voila, you’re now in A minor.

If you wonder why I use so many flats (and I get the occasional complaint) it’s because I cycle thru every major & minor mode every 24 pieces, though I seldom actually use aeolian or ionian - I’m referring to the modality of the tonic chord.